Monday 27 January 2014

Thoughts on James Herbert's 'Fluke' and my latest horror poll

Please check out my latest horror movie poll. Stephen King, one of the masters of modern horror, has seen his works adapted for the big screen many times, but which is your favourite?

By his own admission, films of his stories have been a mixed bag; from the sublime example of Stanley Kubrick's 'The Shining' to the truly dreadful 'Dreamcatcher' and everything in between.

On another note, I was going through my bookshelf the other day and came across James Herbert's incredible tale of reincarnation, 'Fluke'. Such an interesting and moving novel, it deserves to be a lot more well known than it is. I would love to see an animated film adaptation in the gritty style of 'Watership Down', or the truly horrific 'Plague Dogs'.

Sunday 26 January 2014

News on my next story thoughts on 'Cabin in the Woods', and current horror movies in general

Currently doing some research into various figures from Greek mythology for my next horror story. A  clash between modern and ancient cultures, and the living and the dead will ensue...

On another note, I watched 'Cabin in the Woods' a few nights ago and absolutely loved it. It completely turns the whole slasher genre on its head and manages to be funny and scary, a difficult feat to achieve.

Every creature of nightmares gets to make an appearance, literally all of them! It is without doubt the smartest and most original horror film I've seen for a long time. A most refreshing change from the current trend of weak remakes, sequels, and even sequels to weak remakes. Aaaargh!

Who would have thought that there will soon be a Nightmare on Elm Street 2...2?! Insane. Freddy, and all other franchises that are being rebooted should be allowed to be incinerated in their respective boiler rooms in dignity. I'd rather see original classic horror films re-mastered and rereleased than poor imitations.

Monday 20 January 2014

Researching new story

Currently researching for my next twisted tale, working title 'Pay the Ferry Man'. Should be ready in the next few weeks.

Sunday 19 January 2014

New story now live on @PopcornHorror

My latest horror story, 'I Know I am, I'm Sure I am' is now live on Popcorn Horror:

http://popcornhorror.com/know-im-sure/

Check it out and let me know what you think.

Friday 17 January 2014

Ferocious new story coming this weekend

My next story, 'I Know I am, I'm Sure I am' will published on www.popcornhorror.com on Sunday 19th January. It's a brutal take on a classic horror theme. I wanted to explore the concept of somebody being infected with supernatural powers who was already feral, violent and sadistic;
someone who would relish the ability to bring bloody carnage to his prey.

Too many horror stories feature bland, unthreatening characters filled with middle-class sensibilities, wringing their hands and lamenting their transformation into a beast, a thing, a monster. What's frightening about that? Nothing.

Prepare  yourselves, it's coming...

Monday 13 January 2014

New story to be published soon

My latest story, 'I Know I am, I'm Sure I am' to be published on www.popcornhorror.com.
in the near future. Will let you know once it's there, but in the meantime, go and check the site out. Some fantastic short horror movies and films on there.

Sunday 12 January 2014

Horror Movie Poll


I've added a poll about the best decade for horror movies. Please take part if you're a horror fan!

You'll notice the most recent decade you can vote for is the 1980s.

This was deliberate.

I don't know about you, but I despise much of what passes for horror now. Endless watered-down remakes of classic horror movies, sequels and generally insipid drivel about pretty, white Californians having some form of mildly distressing supernatural encounter.

Saturday 11 January 2014

Magick or Mania?

Have just started 'The Drug & Other Stories' by Aleister Crowley, the first thing I have read by a man I have heard so many references to. Will it be the ravings of a madman, or the brilliant work of a genius? I will soon find out.

The sound of his voice on Fields of the Nephilim's sublime 'At the Gates of Silent Memory' is utterly mesmerising and is what, more than anything, inspired me to check out his writing.

Wednesday 8 January 2014

**STORY** - Their Pale Perfection


Their Pale Perfection

By

Nick Harkins

All my life I yearned for fame and adulation. As a child I idolised the movie stars I watched every Saturday afternoon at my local cinema. Alone in the darkened auditorium, enraptured by the gentle whirring of the projector and the silver deities on the screen before me, I dreamed of one day joining them; perhaps even surpassing them to become the greatest star of all time. I came close too, only for it to be snatched away from me when I was on the brink of realising my dream.

The road to stardom proved to be a far more difficult journey than I anticipated. I served a grim apprenticeship in the grainy gore flicks of the early 80s. I managed to mask my distaste for my amateurish surroundings sufficiently to excel in my work and earned a cult fan base as I hammed it up as a vampire, a mad scientist and numerous other formulaic roles.  My profile grew until eventually I got my big break in The Professor; a mainstream horror movie with a full cinematic release.

I played a dashing University lecturer who lured female students to extra tuition sessions and murdered them in various deliciously gruesome ways. It was the perfect blend of horror and sex; moviegoers relished my suave drawl as I seduced my fresh faced, voluptuous victims, and  waited eagerly on the edge of their seats for the slaughter of innocence they knew would come. The film was a global smash; the highest grossing horror movie of all time. It should have been the start of an incredible career, catapulting me to the big time starring alongside De Niro and Pacino, fucking top quality Hollywood whores on and off the screen, everything I’d dreamed of since those afternoons in the cinema that had provided refuge from my life in a bleak post-war council estate.

Sadly, those aspirations came to an abrupt end when certain allegations were made about my sex life. It was complete nonsense for the most part, but it ruined my career. I was accused of violating the dead. All lies of course, fuelled by jealousy. Yes, I visited morgues and funeral parlours, and admittedly I requested private access to the corpses, but it was all to help me research my role as a killer. Purely research, nothing sexual. I was an artist – an artist of uncommon genius – building up a sketchbook to help me create my masterpiece. I merely wanted to gaze on the pale perfection of the cadavers; their icy stillness – it always amazed me how cold they were to the touch - as they lay awaiting the eternal darkness of the grave, unmoved by the wailing and futile lamentations of loved ones.

The scandal broke in one of the Sunday tabloids; lurid headlines promised exclusive interviews with my accusers. Before the morning was out, my agent had called me to drop the ultimate bombshell; I was fired from the upcoming sequel of The Professor. I agonised over what I could possibly do to rescue my career, but eventually realised it was pointless to continue. Even if I managed to prove my innocence and escape the horrors of prison, I would forever carry with me the stigma of perversion. I would be lucky even to return to the ignominy of the splatter videos I’d worked so hard to escape. Death was the only option.

In a last desperate act of grisly theatre, I chose to dispatch myself with a prop from The Professor; the fountain pen I used in the movie to mark my student’s essays, and, on occasion, gouge out their twinkling blue eyes. It took me a number of attempts to successfully off myself in the same way, reality proving far harsher than fiction, but eventually I managed to drive the pen into my jugular and wrench it downwards towards my collar, opening a jagged, inky wound. Arterial blood sprayed in a powerful crimson jet, some mingling with the blue ink to form an exquisite purple.

In the years spent floating between the realm of the dead and frequent, moping visits to the mortal world, it dawned on me that the tabloid scandal was a set up. The hack they brought in to replace me in the sequel was surely responsible for my downfall. He knew what a success that film would be, how it could elevate his career beyond mere genre movies onto the Hollywood A list, so he deliberately orchestrated my ruin in the tabloids. Sean McCoy, the vulgar peasant from a crumbling Chicago housing project went on to become the biggest star of the decade. Even to this day he remains one of Hollywood’s greatest stars, revered and respected as a living legend, and all thanks to his big break in The Professor 2 playing my part.

For almost thirty years I’ve waited for the opportunity to destroy him for what he did to me. I’ve made many fruitless attempts to do it alone, but I, like most of the dead, have no power over physical objects. In the early days, I naively believed that my rage and hurt were of such magnitude that I would be able to channel it into an ability to move things. I tried snapping the brake cables in his car; I attempted to drive a carving knife into his chest solely by force of will, burn his house down by flicking a log from his hearth, all to no avail.

I failed at every turn and looked on as his fame grew until eventually the worst blow of all; the Oscar for best leading actor. I wept as I watched him collect the award, and stood on the stage beside him, invisible to all, screaming tearful obscenities into the microphone as I peered into the blank unseeing eyes of tinsel town’s glitterati.

It was then, as I wept before the oblivious attendees of the Oscar ceremony and the millions glued to their televisions around the world, that I realised I wouldn’t be able to get revenge alone. I needed the assistance of someone living. It took me some considerable time and effort to develop the knowledge and ability to become visible in the mortal world. I spent almost two years consulting with deeply unsavoury characters in the dark places of the dead before I could control it sufficiently to attempt to make contact with a living person.

Keen to find someone who would not become hysterical, I once tried to contact a medium who I assumed would have experience of dealing with spirits, but the old crone seemed to sense my murderous intentions towards McCoy and began chanting some kind of incantation that I felt sure was designed to banish me from the world of the living. Fortunately, I managed remove myself before she could complete the incantation, but from then on I made certain to stay well away from mediums.

More failures followed over the years, but still I waited for the break I never stopped believing would come. Finally, it arrived: Aaron Beckerleg was the opportunity I’d been looking for. I knew he was special as soon as I saw his first audition on Pop Singer. By that time I’d been searching for almost three decades for someone as hungry to succeed in show business as I’d been before my death; someone who could empathise with the tragedy of my unfulfilled potential and help me seek revenge. My own chance of stardom was taken away from me when I was on the cusp of greatness, something I hoped Beckerleg himself would soon come to understand. I knew I could capitalise on the pain of unrealised ambitions we shared, and persuade, or if necessary, force him to do my bidding.

He was a tall, painfully thin man in his late twenties with an air of vulnerability. Dowdily dressed in grubby jeans and a washed out t-shirt, his dark eyes darted nervously around the arena as he scurried onto the stage for his first audition. His appearance prompted immediate smirks and whispers from the audience as he introduced himself to the judges and announced between nervous gulps that he was going to be as successful as Michael Jackson. The backing track started and he commenced a torturous rendition of Elton John’s Rocket Man. He was met with a cacophony of jeers from the audience, many raising their arms in the air to sway mockingly along to the music. The judging panel smirked and waited eagerly for their turn to join the slaughter. When the backing track finished and Beckerleg stood before them awaiting their verdict, they unleashed a ferocious barrage of abuse. Beckerleg, they unanimously declared, had given the worst audition of the series, perhaps of any series, and should accept the fact that he had no future in the music industry.

There was nothing unusual in this; dispensing insults to the deluded is, after all, the raison d’ĂȘtre of any television judging panel. It was Aaron’s reaction that made him stand out from the other failures.  Weeping hysterically, he sank to his knees and crawled from the stage towards the panel, leaving a glistening trail of tears and mucus in his wake. When he reached Steven Fowell, the head judge and creator of the show, he began to kiss and lick his feet, begging between sobs to be allowed to progress to the next stage of the competition.

The camera closed in on his soggy, wild-eyed countenance as he slurped on Fowell’s handmade Italian shoes while the audience hooted in the background. Fowell immediately recognised the potential for further humiliation and put him through to the next stage. More performances like this would be good for ratings. The sobs grew louder and Beckerleg continued slurping with renewed gusto. I knew then that Beckerleg was an ideal accomplice for me; he was desperate, ridiculed and clearly prepared to do anything to achieve his dream of stardom. His fall, when it inevitably came, would be catastrophic. And I planned to be there to pick up the pieces.

His journey through the stages of Pop Singer grew steadily worse. Fuelled by a string of bizarre performances, the baying mob began to thirst for blood. In the tabloids, the gossip magazines and on social networking sites, Aaron became the nation’s favourite hate figure. Death threats were made and his work colleagues spoke gleefully in the tabloids of his kooky behaviour and pariah status in the office. But still he soldiered on from week to week. As the hatred - cleverly fed and nurtured by Fowell - grew to feverish levels of intensity, dark forces gathered, greedily feeding on the loathing and suppressed violence that surrounded Beckerleg. It is not uncommon for malevolent spirits to be drawn to such powerful feelings. Ghouls flock to horrific events; wars, terrorist atrocities, and now, it seemed, reality TV shows.  

Unseen by the viewing public, inky black shapes moved amongst the audience, feeding on their malevolence. Often, they would assume the form of human shadows, crouching in front of the most belligerent spectators, sucking in the bile as they screamed at Beckerleg. Others took the form of giant bats, swooping around the studio, basking in the hatred; whilst a huge black snake would often slither noiselessly over the judge’s panel, coiling itself around their necks and feasting on their malice, sucking greedily on the fears and resentments that burned within them as they speared Beckerleg with venomous barbs of derision.

I began to plan my strategy, watching Beckerleg’s every move on and off screen, observing his habits to ensure nothing would be left to chance. I soon learned that he was an incredibly lonely man who spent most of the tiny amount of free time the show allowed him in his bedroom in the house all the show’s contestants stayed in. Mostly he gazed at the ceiling deep in thought, sometimes he paced the floor anxiously, and he occasionally jerked off, but not once did I see him have any kind of conversation with his house-mates beyond the most basic of pleasantries. I assumed he yearned for fame to fill the emptiness inside him.

The end of his Pop Singer journey finally  came in the sixth week when he finished bottom of the public vote, as he had done on every show, but this time the head judge did not come to his rescue. He’d received a tip off that a Sunday tabloid planned to publish completely untrue claims that he’d been rescuing Aaron from elimination in exchange for sexual favours, and realised it was the right time to consign Beckerleg to the murky world of failed TV talent contestants. He announced his decision with a snarling brutality that even the studio audience found excessive. Only a few gasps and some uncomfortable shuffling could be heard as the spotlight once again fell on Beckerleg.

I, like most observers, expected more tears and pleading. In the end though, Beckerleg remained outwardly calm. When the show’s presenter put his arm around him and said ‘Aaron, the judges have made their decision. You’ll be going home tonight’, the audience waited in anticipation of histrionics to follow. Aaron raised a trembling fist and presented his middle finger to the nation, then without a word he strolled off the stage, out of the studio and into the London night. His anger had taken over; anger at the weeks of abuse and threats, anger at the rejection by Fowell. And so, at the last he had found the courage to stand up to his tormentors.

I opted to approach him when he was just home from the studio after eviction and his emotions would still be raw. That final night, as Beckerleg left the Pop Singer stage for the last time, I made my way to his bedsit and waited. I knew he wouldn’t return to the house he’d shared with the other contestants to spend a last night amongst their whispers and disdain, but would return to his own place where he could be alone in his grief.

He hurried straight home when he left the studio, striding quickly through the London streets to the tube station, hoping nobody would recognise him. A few spirits floated out of the studio with him, but were soon disorientated in the bustle of London on a Saturday night, and turned back to the studio to rejoin their brethren in sucking up the last of the audience’s hate. Gone now for Beckerleg were the dreams of travel by chauffeur driven limos or vintage sports cars. Spurned by those to whom he had given everything in his quest for stardom, he sat miserably on the tube, pretending to read a free newspaper just to hide his famous face.

He sought immediate liquid solace on his return to his sparsely furnished bedsit. As soon as he closed the door behind him, he poured a generous measure of vodka into a chipped mug and gulped it down in one. Believing himself to be alone now, he let the tears flow. Not the flamboyant sobbing he’d indulged in on Pop Singer; now that there was no audience, his sobs were deeper and almost silent. His narrow shoulders rose and fell as he filled and refilled the mug with booze.

I watched him polishing off the cheap spirit and wished I could have a shot of it myself, feeling a little ashamed that I was afraid of a confrontation with a living person.   After taking a moment to get myself together, I went in for the kill, allowing myself to become visible to Beckerleg. ‘Hello there’ I said by way of greeting, adopting a matey, avuncular tone.

Beckerleg said nothing. A dark patch on his trousers spread rapidly from his crotch to his thigh, then down his shin to drip onto the threadbare carpet. ‘I’m real. You’re not dreaming. This isn’t a hallucination brought on by vodka, or the stress you’ve been under. So,’ I said ‘now that you’ve pissed yourself, can we crack on and talk sensibly?’ I gave him my most charming smile.

He seemed to consider this carefully for a moment, looking down at his reeking, piss-soaked jeans then back up at me. ‘Sure’ he croaked, his hand pulling the fabric of his trousers away from his skin.

‘You’ve had had your dreams snatched away from you’ I said.

‘Well, yeah’ he nodded, his eyes wide and staring, all hint of drunkenness vanished.

‘I’ve been watching you for a while now. You deserve to be a star with a special talent like yours’ I lied. ‘They fucked you over, couldn’t handle someone as good as you, so they made you look a fool.’

‘Yeah’, said Beckerleg ‘but what does it have to do with you’

 ‘I’ve been through something very similar myself, you know. I think we can help each other.’

‘How can you help me when you’re dead?’ said Beckerleg, pouring himself another drink, his hands trembling wildly, splashing vodka on his already sodden trousers.

‘Revenge’ I said, and paused for a moment for dramatic effect. ‘Revenge against the scum that have denied us our chance for greatness.’

‘I’ll get my revenge next year when I win that competition and become the biggest music star this country has ever produced’ said Beckerleg.

‘That’s not going to happen; they won’t ever let you win. Do you think they’re going to let you make them look stupid? You’re deluding yourself’ I said.

‘Well, I could enter another talent show on TV and win that’ said Beckerleg, flustered.

‘Not a chance’ I shook my head sadly. ‘These people, these shows are all the same. The big shots, the men at the top, they never understand people like us; the artists, the true originals. They’d rather play safe, go with bland normality.’

Beckerleg lowered his head, defeated. ‘I guess you’re right. It’s just so unfair’ he whined.

‘You want to pay that arrogant swine Fowell back for humiliating you in front of millions, don’t you? He only wanted you there to destroy you.’

‘Yes’ said Beckerleg, venom now in his voice. ‘But what do you want me to do for you? You said you wanted revenge, too.’

I told him my story much as I recounted it to you, adding one or two embellishments here and there to add spice to the performance. I was always a master of improvisation, even in the grubby gore-fest slasher flicks I began my career in. I could take any stilted, hackneyed script and inject it with life and authenticity. I concluded my tale with a dramatic re-enactment of my suicide with the fountain pen, complete with sound effects and stabbing and tearing actions. I looked up anxiously when I’d reached the gruesome finale, hoping to see Beckerleg moved by the tragic spectacle he’d witnessed. I wasn’t disappointed; Beckerleg gazed back at me, his eyes filled with a new understanding.

‘That’s one of the saddest things I’ve ever heard’ said Beckerleg.

‘Yes, well we’ve both been cheated. They set you up to look a fool, and they accused me of being a pervert, the hypocrites. We’ll never be what we should have been, but we can bring hell to those responsible.’

‘Do you really think we can?’ said Beckerleg wiping the tears from his face with his sleeve.

‘I know we can, but I can’t do it alone. I have no way to physically touch a living person, let alone kill them.’

‘Death?’ said Beckerleg.

Death. That’s the only way we can have full satisfaction for the injustices these men have perpetrated against us. Just look at the two of us here in your grimy bedsit’ I said waving my hand theatrically around Beckerleg’s dismal garret. ‘It’s tragic.’

‘You’re right’ said Beckerleg, ‘It shouldn’t be like this for us.’

****

The day after our initial meeting was the hardest. When Beckerleg finally hauled his aching, dehydrated carcass from the armchair he’d crashed out on the night before, he looked at me in abject horror for an instant, and then proceeded to studiously ignore me for most of the rest of the day. In the gloom of the evening, however, after he’d polished off the rest of the vodka, his resistance gave out and we began to talk seriously about how we would carry out our plan. By the time Pop Singer had aired the following week, we had devised a plan to publicly execute McCoy and Fowell.

As a spirit, I can move unseen and unheard anywhere I choose. To my shame, I have used this for sexual purposes on a number of occasions, and have witnessed acts of excess and depravity that I would never have contemplated in life. I once attended a party at an apartment in Ladbroke Grove where acts took place so unspeakable that I shall not recount them here. My only defence is that I did not participate in the slaughter; I merely watched and listened to the screams as I ejaculated black, translucent seed into the face of the dying victim.

In addition to helping me to indulge in voyeurism, my spectral state allows me to find out information. Through careful surveillance, I was able to discover that both McCoy and Fowell planned to attend the big movie premier of the festive period at Leicester Square; McCoy because the bastard starred in it, and, curse him, directed it, and Steven Fowell because he wanted to bask in the glow of the movie’s guaranteed success, and probably get a few free drinks. Through regular visits to McCoy and Fowell’s homes, I was able to learn their plans in detail. As I’d hoped would be the case, Fowell’s colossal ego would not allow him to arrive at a time when he would be walking the red carpet with any of the film’s lesser lights. He had synchronised his arrival with that of the leading man, meaning that they would be in close proximity and as close to the public as either of them ever cared to get.

I was pleased to find Beckerleg unconcerned about the potential consequences of the murderous plans we hatched. He was aware, even in the deep funk of drunken depression that enveloped him, that there would be no way back for his musical aspirations, but felt little unease about the prospect of losing his liberty if apprehended by the police. Often, he would rave drunkenly about how no jury would ever convict him of murder, and he would get off based on diminished responsibility. The stress he’d suffered during his humiliating ordeal was enough to send anyone over the edge. In his more drunken moments, he’d even convince himself that I could appear as a character witness for him in court; a conviction I did nothing to discourage.

For my part, I realised that it would probably be the end of me in the sense of my ability to continue lingering amongst the living. My purpose served, I would finally end my purgatory in the shadows of celebrity and move on to whatever awaited me, good or bad. I felt sure that my appetites in life and the scheme I was now hatching in death meant I would not be headed anywhere pleasant, but the fact that McCoy would be joining me offered me great comfort. I would have an eternity to wallow in his suffering.

As Beckerleg never had the connections to allow him to purchase the firepower we needed to carry out the executions, it was left to me to do some reconnaissance work. I haunted the drinking pits of London looking for someone who could supply us with a gun. Many nights I mingled unseen amongst pimps, junkies, thieves and whores until I found a supplier. I witnessed two fatal stabbings, and a number of severe beatings, all of which served as welcome entertainment after the relentless claustrophobia of Beckerleg’s bedsit. One hapless dealer who’d burned his supplier on a shipment of heroin was repeatedly kicked in the head so severely that an eye detached from the socket and dangled limply on his cheek, much to the amusement of his assailants.

I eventually located our man in a South London pub. For a reasonable price, was able to provide a gun and ammunition to rent no questions asked. After much cajoling, I persuaded Beckerleg to take the tube south of the river and make the transaction at a time during the day when I knew our supplier would be present in the pub, and the place would be relatively quiet.

Fortunately, Beckerleg was not recognised when he arrived at the pub. I told him to stroll in as though he was a regular, but not to overdo the confidence. He pulled it off perfectly, moving quickly through the dingy pub, the hood of his sweater pulled up to mask as much of his face as possible. He arrived at the dealer’s regular table in a quiet nook unchallenged by the smattering of bar flies around the premises. In a brief, muttered transaction, he managed to rent a handgun and ammunition. The thug never asked any questions about what Beckerleg planned to do with the weapon, probably taking him for a cuckolded husband or a disgruntled employee seeking retribution against his boss.

Transaction complete, he made his way unsteadily into the pale grey London afternoon, blinking as his eyes adjusted from the gloom of the pub and made his way home as quickly as he could, anxious to enjoy a drink to calm his nerves.  When he arrived, he took out the gun and sat for some time staring blankly at it as he sipped his drink, ignoring my attempts to engage him in conversation. I began to worry that he was going to flake out on me in some way and fail to carry out the plan. ‘I wish I could just shoot you and end all this’ said Beckerleg eventually. ‘Why did you have to involve me in this madness?’

‘You know why, we’ve been through this dozens of times. We’ve been wronged, cheated. Something has to be done about it and this is the only way’ I said patiently. ‘Tomorrow night, you are going to that movie premier. You’re going to wait in one of the nearby bars until I give you the word, then you’re going to burst your way through the crowd and open fire.’

‘But...’

‘But nothing. You wanted to be famous, remember? Nobody is going to forget your name.’’

‘Yeah, I suppose you’re right’ said Beckerleg brightening slightly.

When the day finally came, I could barely contain my elation. I floated around the bedsit, singing to myself, visualising what was to come. Beckerleg was going to go through with it and I would get my revenge. Despite my initial sympathy for Beckerleg, I’d privately grown tired of his deluded whining. Even so, he was serving his purpose wonderfully; choosing him had been a masterstroke. Prison no doubt awaited him, but that was no concern of mine. I chuckled at the thought of watching him being violated in prison by cons who would no doubt welcome such tender meat in their midst.

****

Beckerleg found a quiet seat in a little nook in the dusty old pub near Leicester Square tube station that we’d agreed he would start operations from. When I arrived I found him nursing a pint of lager and staring intently at a faded old print on the wall depicting Sherlock Holmes shooting a large, ferocious hound with glowing eyes.

‘It’s time’ I said.

‘I know’ said Beckerleg ‘This is for the best, isn’t it? I mean, we’re doing the world a favour really?’

‘You know we are.’

‘Well, let’s get it over with.’

I said nothing and watched him get to his feet and head for the door. To my surprise, he moved purposefully without stumbling or bumping into anything. He kept his head down and strode quickly towards Leicester Square past the cafe bars and ticket agencies into the throng of people gawping at the arriving stars. He timed his movements perfectly, hanging back until a large black limo arrived and the crowd began to scream and push towards the metal barriers. It was him.

McCoy oozed out of the limo and began to strut his way up the red carpet, then, as planned; Fowell arrived thirty seconds or so later. Beckerleg’s eyes honed in on his prey. He moved between the throng of excited fans squeezing himself to the front of the crowd until he was pressed up against the barrier.

‘Hey! Remember me?’ Beckerleg shouted at Fowell.

‘Aaron?’ said Fowell, grinning wolfishly, anticipating an opportunity to raise a few more laughs at Beckerleg’s expense. ‘Are you going to sing for us?’

Beckerleg drew the gun from under his belt and shot him in the mouth, shattering his whitened teeth and blowing the back of his head out onto the red carpet. McCoy froze in terror as Beckerleg then pointed the gun at him. As security lunged for him, Beckerleg turned swiftly to me and grinned.

‘You’re just like all the others’ he said, then lifted the gun to his temple and fired. Blood, brain and bone splattered onto the carpet and merged with Fowell’s, their minds finally meeting in death.

****

So close. Next year will be different.